You’re Going To Be Pegged

1I am not a classically trained musician. I play primarily by ear, I prefer to read chord charts, I’ve never had voice lessons, I don’t conduct choirs, and I can’t play the organ. I’ve been playing guitar since the age of 7 (I took several years of lessons, some with pretty advanced music theory), and piano since the age of 18. On piano I’m mostly all self-taught, and don’t pretend to be able to play classical piano or accompany choirs or sight-read sheet music.

I love classical music, traditional hymns, choral anthems, liturgy, organ, strings, brass, and everything in-between (well, maybe not polka). An objective analysis (if there was going to be one) of the kinds of songs I pick over the course of a month of worship services would show a pretty healthy blend of old and new.

But, whenever I’m “pegged” (i.e. “categorized”), I’m usually pegged as the contemporary guy.

This used to bother me.

But I like hymns! But I can play piano! But I use a wider variety of hymns at “my” “contemporary” service than at the “traditional service!” But I like liturgy! It didn’t matter. I was pegged.

Then one day I was talking with a worship leader friend of mine who was classically trained. He could sight read music perfectly. He could conduct choirs. He had written for choirs. He had composed pieces for choirs in Latin. He could play the organ. He could write and arrange songs for an orchestra. He could conduct.

But he could also play with a band, knew how to rock, incorporated drums and electric guitars, and spiced up ancient hymns with new arrangements.

And for that, my classically trained friend was pegged as… you guessed it, the “contemporary guy”.

One day I was lamenting with this classically trained friend how I had been pegged the contemporary guy and I couldn’t seem to shake it. He laughed and told me that, even though he met all the objective requirements of being a classical musician, he was still lumped into the same category as me.

And with that, he told me to relax.

It helped.

It’s a fact: you’re going to be pegged.

Maybe you’re pegged as the “old guy”, “young kid”, “inexperienced girl”, “preacher’s kid”, “pastor’s wife”, “only a volunteer”, “interim”, or “contemporary guy”. You’ve been pegged by a certain group, and you know it, and you can’t do anything about it.

That’s right, you can’t do anything about it. So don’t waste your time/energy/resources trying to un-peg yourself. Just keep on keeping on.

You won’t experience freedom in ministry by trying to prove yourself to certain power blocs. You’ll experience freedom in ministry by falling back on the fact that God has called you and equipped you. Your qualification for ministry doesn’t rest in the hands of a group of people who would define you with a certain tag. Your qualification for ministry rests in God’s calling on you. If the leadership of your church has affirmed this calling, and has given you a platform, then walk in confidence and let the pegs fall where they may.

You’re going to be pegged. You’re probably going to be pegged unfairly. So get used to it, get over it, and get on with being who God has called you to be, in the midst of the congregation he’s called to you serve, with a healthy dose of humility, and a heaping dose of confidence.

The Day I Heard God Laugh

1Several years ago I was in the middle of one of those seasons when I was having a hard time believing that God was actually hearing (and caring about) my prayers. I had been crying out to him to answer me in the way that I wanted, in the timeframe I had chosen, with the thing that I thought was best. All I could pick up in return was radio silence. Nothing was happening. Nothing was changing. I was discouraged.

But one day something changed. A very clear answer to my prayers began to materialize, in a way that could only be explained by God’s arrangement of it all, and I felt like a ray of light had suddenly burst through my gloomy sense that God wasn’t at work. That’s when I muttered a half-hearted remark to God. And that’s when I heard him laugh. It wasn’t exactly audible, but it was clear as day.

I was getting off the elevator, and in response to the new developments God had brought about, I said under my breath: “God… I think you’re up to something”.

Ha!

God laughed.

“I’m… up to something?

Ha!”

I realized how ridiculously “understatement-of-the-millenium” my remark was about as soon as I was finished saying it. And God, in his Fatherly and gentle kindness, reminded me in that moment that yes, little child, God was indeed “up to something”.

A verse from the Psalms immediately came to mind in that moment:

In Psalm 2:4 we’re told that God “laughs” at the raging of the nations. His total, complete, sovereign power contrasted with the people’s plotting and raging is utterly laughable.

God is “up to something”, and he’s up to something in more ways, and on more levels, and with so many different rationales than we’ll ever know. We’ll doubt this, and we’ll stop believing it, and we’ll become convinced that we’ve been forgotten. But then God will prove yet again that he’s faithful, and we’ll prove yet again that we’re fickle, and because our fickle hearts have been reborn and made new because of Jesus, God our Father will look on us with eyes full of love and laugh. And smile.

Getting Into a Worship Leading Career After College

1

Last week I received an email from a senior in high school who’s discerning a possible call to a career in worship ministry, and is experiencing some push-back and questioning from her family who tell her she’s crazy. She asked a lot of good questions, basically trying to find out whether or not she’s… well… crazy.

Here’s what I said:

There are always churches looking to hire full-time worship leaders. Churches all across the country, in any city of any state. There are lots of employment options for people looking for worship leader jobs, but in order to be attractive to a potential church, you’ll need to able to show that you can do several things.

First, can you manage a music program? The budget/volunteers/scheduling/rehearsals/long-term planning/meetings/emails/auditions/Christmas/Easter/administrative/etc? To prove this, I’d recommend you start getting your hands dirty as soon as possible. Intern with a music program at a church somewhere. Start getting as much experience as you possibly can!

Second, can you lead worship well? Are you able to plan a cohesive service, effectively using songs to help people glorify God? Can you lead a band, or a choir, or an orchestra? You don’t need to be able to lead all of those types of ensembles, but if you can’t lead any of them, you’ll have a hard time getting a job. Again, the best way to prove this to a potential church is to do it consistently and well in some sort of setting. Most churches will not hire a worship leader with no regular worship leading experience. An internship somewhere can provide this, or better yet, enter into the “market” via an assistant/part-time/associate position, where you can gain experience, show your skills, learn your craft, make mistakes, and become more polished.

Third, are you a leader? Do people want to follow you? Will a congregation respond positively to your leadership and your musical abilities? Will a pastor look at your application and think “she’d help my congregation grow” or think “next…” The stronger you become as a leader, the better the odds that you’ll get a good position somewhere.

Start small. Build a good foundation. Pursue your education. Study music. Study theology. Lead worship/rehearsals/services as much as you can. Say “yes” to whatever worship leading opportunities come your way. This will help you grow!

Don’t worry about the naysayers, but do listen to whatever wisdom they have to offer. If you’ve been called by God to this ministry, then he will equip you.

(Related post: Getting Experience Makes You Experienced.)

Once in Royal David’s City

1One of the last big things I was able to do with my former church before I came to Truro Anglican in Fairfax was release an Advent EP called “For Our Salvation”. It was released a year ago in December 2013. It features four Advent carols (arranged by me and orchestrated by Joshua Spacht), one instrumental piece (again by Joshua), and one of my original songs called “Beautiful Baby Boy“. The songs are arranged for band, strings, and feature a children’s choir as well.

The first song on the EP is “Once in Royal David’s City”, an old carol written by Cecil Alexander and Henry Gauntlett. This is the carol that usually kicks off “Lessons and Carols” services, and it’s a beautiful retelling of the story of Jesus’ birth, culminating with that great longing of ours to one day see him again.

I did a few things with the text:

1. I left out the verse that talks about how little children should be as “mild, obedient, and good” as Jesus.
2. In its place, I wrote a verse that explains: “He was given to pay our ransom / By His blood we are set free / Suffered He for our transgressions / Lamb of God upon the tree / Then He rose up from the grave / Risen King with power to save”.
3. I chose the version of the last verse that ends “…Christ revealed to faithful eye / Set at God’s right hand on high”, as opposed to the other version which says “Where like stars His children crowned / All in white shall wait around”. For some reason that last version doesn’t exactly elicit an exciting view of heaven!

You can purchase the song on iTunes here.

Here’s a lyric video: 

And here is the free orchestration for strings (including a chord chart), by my good friend Joshua Spacht.

The whole EP is available at www.tfcamusic.org or on iTunes.

Don’t Eat the Chocolate: Why Contemporary Worship Music is Dead, Dying, and Decaying

1It’s become clear to me that contemporary worship music is dead, dying, and decaying. Think I’m wrong? I’m not. Here’s my proof (read it and weep. Really. Please weep):

1. The new songs aren’t nearly as old as the older songs
“All Hail the Power of Jesus’ Name” was written in 1779! “Ten Thousand Reasons” was written in 2011. These new songs aren’t even close to being as old as the old songs. The old songs have been around for several hundred years! These new ones? Not nearly that long!

2. Some of the new songs are trying to pretend they’re old hymns
Have you read some of the new songs? They’re trying to act like they’re hymns, with their deep theology and everything. It’s ridiculous.

3. Whatever happened to singing Isaac Watts?
Hasn’t he written anything new lately? Why aren’t we singing his new stuff? Even more ridiculous. We’re missing out on new material from the old hymn writers.

4. Bad stuff
Some of the new stuff coming out is really bad and unsingable. You think the old hymn writers ever wrote bad hymns and ended up throwing them away? I doubt it. How do you spell infallible? S-P-A-F-F-O-R-D, that’s how.

5. Look in the old hymnals…
See any of these new songs in the old hymnals? Nope. They’re not good enough to be in there.

6. Repetition is never appealing
These new song writers have never studied great compositions like the “Hallelujah Chorus” or “Psalm 107” to see how you don’t need to repeat phrases to emphasize something.

7. No time for filtering
We need to wait another hundred years (at least!) before we event think about singing these new songs being written, so we can make sure they’re safe for us to sing. Once these new songs are 100 years old, if they’re still around, then maybe we can sing them. Maybe.

8. There aren’t as many new songs as there are old songs
We have more material from the last 2,000 years (not to mention all the years BC) than all of the songs written after 1970 combined! I think that says something.

9. Our forefathers didn’t sing these new songs
If these new songs weren’t good enough for our forefathers to sing several hundred years ago, then they’re not good enough for me. My great-grandfather had never heard of Chris Tomlin when he was alive.

10. We’re done being creative
There’s nothing more to be said that hasn’t been said, there are no new melodies that need to be written that haven’t already been written, and there’s no need to be creative anymore because we reached our creative quota in about 1913. Except for “In Christ Alone”. That one earns an exception. It slipped through just in time. Barely. But don’t tell anyone. We’re done. Really. Stop it.

In closing, contemporary worship music (hereafter referred to as CWM) is like a box of chocolates that you got for Christmas, and then forgot about, and stuffed it away with all the Christmas wrap, and found it the next year, still shrink-wrapped, and wondered to yourself “will I die if I eat this?” The answer is “yes”. Yes, you will die, and the last thing you’ll ever have run through your mind is “I didn’t know this one had the disgusting strawberry liqueur filling”. Yes, you did know, because I’m telling you. Stay away from CWM and eat the older chocolate instead. Oh no my analogy just broke down…