The State of Choirs in the Modern Worship Landscape: A Holy Discontent

Last week I led a one-day gathering of worship leaders and/or choir directors in Atlanta that we called a “choir/worship ministry intensive”. 27 people (from 20 different churches, 10 states (and the UK), six different denominations, big congregations, small congregations, and from worship ministries that utilize a choir and ones that don’t) gathered for an amazing time of worship, fellowship, teaching, conversation, and learning.

If you’ve been wondering why this blog has been so quiet recently, now you know why! 🙂

We were exploring together the challenge and the possibilities of cultivating growing, thriving, worship-leading choirs in the modern worship landscape that finds choirs dwindling at a rapid pace. Since our time was short, I encouraged us all to “cut to the chase” and share openly and honestly with each other what we were experiencing in our own congregations and worship ministries/choirs. There was a lot of encouraging stuff to be shared, and also a lot of challenges across the board.

We came from different places, with different stories, different strengths, and different weakness. But fundamentally, we were all there for the same reason. And that reason was this: deep down in our hearts, there is a level of what Bill Hybels calls “holy discontent” about the way things are. And in particular, the way things are in our worship ministries. And even more specifically, the way things are when it comes to choirs, the direction that choirs are headed, and where we find ourselves in 2017 when it comes to a fairly pronounced divide between choirs and contemporary worship.

We’re not happy with the way things are. We think there must be a better way. And we’re looking around – saying to ourselves “am I the only one who’s thinking this? Am I crazy?”

This gathering answered that question: no, we’re not crazy. A lot of worship leaders and choir directors are struggling with the same things and asking the same questions.

This “holy discontent” about the direction of choirs in modern worship has been building over several decades in my life. And it still surprises me, to be honest with you.

I’ve seen choirs that are extinct, or dead, or hostile, or performance-minded, or divorced from contemporary music (with occasional awkward family visits at Christmas and Easter), or dwindling and grasping at straws. And something finally broke inside of me. I couldn’t take it anymore.

So I began to pray the most heartfelt prayer of my life: “God, you’ve got to make this work”. God, in his sense of humor, had placed me as worship director for a church with a history of a vibrant choir ministry, which was now at a place of transition.

So obviously, I needed help. And there were many moments when I had no faith, mostly because I knew I had some significant weaknesses. But instead of making me into a worship superman who can somehow do everything myself, God began to put people around me who had gifts and strengths that I don’t have, who could help me begin to turn this “holy discontent” into fresh vision.

And as we began to pray about what exactly we were “discontent” with, some things began to surface that had boggled my mind for years:

  1. Good singers who would NEVER consider singing in the choir
  2. Good singers who (like me) can’t read music, so are ruled out of the choir
  3. A culture in the choir (and the choir room itself) that screamed exclusivity
  4. A choir that could sing a French Requiem, or a Bach cantata, but looked at a four-part harmony of a Chris Tomlin song like it was a poopy diaper
  5. Services in which the choir and band play a game of musical ping pong
  6. A choir that spends 95% of its time working on an anthem that takes up 5% of the service, and doesn’t contribute much (either sonically or visually) on the other music, resulting in a dynamic which finds the choir MOST engaged when the congregation is LEAST engaged, and vice versa
  7. A pronounced white-ness and grey-haired-ness of choirs. Could there be more of a spread of ages and ethnicities?

And I just can’t take it anymore. God has stirred up a holy discontent within me – a contemporary/non-classically trained musician, lifelong Anglican, preacher’s kid – and many others too. I’m realizing that there is a growing contingent of worship leaders and choir directors all around the world who are desperate to see if there isn’t a way that in the mainline protestant church and beyond, we can’t see God breathe new life into the idea of a choir.

(Sidebar: I’m not the first person to ask this question, by a long shot. This has been the topic of countless articles, books, and even conferences for quite some time. Sidebar over.)

We all know that the odds are stacked against us…

The National Study of Congregations (Duke University) showed that in a 14 year period, between 1998 and 2012, the utilization of choirs in mainline protestant churches dropped 30%. And from what I’ve seen – in the last 5 years, that’s continued to drop.

Some churches strong, growing, stable choirs. That is the exception, not the norm. The trends are downward.

(Now a quick timeout: how is this conversation any different than, say, a conversation of organists and/or organ enthusiasts, bemoaning the dwindling utilization of organs in worship? Another traditional hallmark of classical music and more formal worship. What’s the difference? Are we just holding on to a relic? Are we just trying to re-arrange deck chairs on the Titanic? (And for the record, I love the organ, and we use it every Sunday at my church.))

Here’s why:

Because a choir provides the Church a unique demonstration of the gospel – in that people from all tribes and tongues, generations, races, backgrounds, and skill levels – are redeemed and joined together to the praise of God’s glorious grace, they are not merely a decoration to be saved from the trash heap of musical yesteryear, but are a vehicle for TODAY’S CHURCH to display a microcosm of God’s ransomed people, joined together as the worshipping body of Christ.

That’s something I can get excited about. And I still can’t quite believe I’m hearing myself say that.

10 or 15 years ago I wouldn’t have said that. But I came across a church webcast that showed a choir doing something that was SO unlike anything I had ever seen a church choir do before. And it rattled me. And thrilled me. And made my jaw drop.

Here’s one of the clips I saw:

See what I mean?

The church’s name is Mount Paran Church of God. It’s a different kind of church from the ones I’ve attended and served, it belongs a different denomination (which is VERY different from my stream of reformed Anglicanism in many many ways), and I had never even heard of it before. But oh how wonderful – and how broad – is the Body of Christ. And this church had something to teach me about what choirs could do. That clip shows something most Anglican churches would NEVER EVER consider doing with a choir and band on Easter Sunday. And maybe that’s part of our problem. God may have more for us, and more for choirs, than we think.

God has planted in me – and my colleagues at my church – an audacious vision. I long to see a choir that is:

  • Multi-ethnic
  • Cross-generational
  • Made up of “trained” singers and “amateur” singers
  • Growing
  • Able to sing difficult, classical pieces
  • Able to sing modern music with vigor
  • Meaningfully engaged in worship
  • Part of a unified team alongside the band
  • Such a welcoming family that people can’t resist joining
  • A worship leading engine, pointing the congregation to Jesus

At my church we’ve begun to simply repeat two different phrases over and over: First, “the choir is a community of worshippers and worship leaders” and secondly, “God has given us a vision of an 80-voice choir”.

We’re not quite sure how we’ll get to that number. 50 or 60 we could maybe do if we recruit really well. But 80? We don’t know. It’s forcing us to our knees in prayer.

God is stirring up a holy discontent. And he’s planting an audacious vision. That we wouldn’t continue to see choirs dwindle, or just live in a divorced relationship with contemporary music.

And that’s why a bunch of us gathered in Atlanta last week. To say “God, stir up a holy discontent inside of us” and “God, give us an audacious vision”. However that’s supposed to look in our own setting.

– Whether it’s numerical growth, or perhaps some strategic pruning.
– Whether it’s to do with our administration, or our repertoire.
– Whether it’s imitating something new, or killing something old

During our gathering last week in Atlanta, we learned from each other, learned from the amazing team at Mount Paran, and came away with a huge dose of encouragement. I’ll be sharing more of what we learned in the weeks to come, but for now, I’ll share this short little audio clip of a room full of worship leaders and choir directors from all over the country, who after a long day of wrestling with some big questions, lifted their voices together to sing “Praise God from whom all blessings flow”. May he use this little gathering we had in ways that surprise us in the years to come.

Are You Not Ready to Worship?

1I always cringe when I hear worship leaders begin a service by asking the question “are you ready to worship?” The hope is that the congregation will respond with an enthusiastic “yes!” and everything will go swimmingly. But the reality is that the answer to that question might actually be a resounding “no!”, but no one really feels comfortable admitting it.

Most people don’t come ready to worship God on Sunday mornings. It’s true. They couldn’t find anything to wear, and before they could get out the front door, their dog puked all over the new carpet. Then their toddler decided to pour her chocolate milk all down her dress when they pulled out of the driveway. On the way to church, they got in a fight with their spouse over who forgot to start the dishwasher last night. When they get to church, they really don’t feel like talking to anyone, but they get stuck in a conversation with an extrovert who really wants to talk about her home renovation nightmare. They drop off their screaming chocolate-milk-covered toddler in nursery, and feel like the worst parents in the world. They make their way into the sanctuary, where the music has already begun and the first thing they hear is the worship leader asking “are you ready to worship?” This, of course, makes them feel guilty, because they really just feel like terrible parents who forgot to start their own dishwasher, and who have dog-puke-covered carpet waiting for them at home. But they’ll sing along and try to muster something up so people don’t judge them.

A better question would be “are you not ready to worship?” Are you feeling distracted, discouraged, spiritually dry, emotionally spent, or condemned? Did you just have a fight on the way to church? Are you feeling lonely as you sit there all by yourself? Are you annoyed by something right at this moment? Did you forget to eat breakfast? Did you yell at your kids literally six minutes ago?

Most people are somewhere on the spectrum of “not ready” when that first song starts up. My extreme example certainly won’t apply to everyone, and there are of course some people who are ready, well-slept, prayed-up, and right there with you from the first downbeat. But even the most spiritually disciplined Christians will find themselves assaulted by the pressures, concerns, bad traffic, and far away parking spots of the world between the time they leave their house and the time they sit down in their pew.

So worship leaders can’t approach their congregations with the expectation that they’re “ready to worship”. And they certainly shouldn’t ask them that out loud!

Worship leaders should approach their congregations with the expectation that they’re probably not ready to worship. (But they shouldn’t say that out loud either.)

A worship leader who’s aware that his/her congregation is most likely filled with people who aren’t exactly fired up and ready for the kind of epic worship we see in those online worship videos will present a congregation with the gloriously good news of a great and faithful God, a gracious Redeemer, and a generously outpoured Holy Spirit, instead of a guilt-inducing pressure to hype something up that isn’t there to begin with.

Because it’s God who initiates worship. Not us. “For God, who said, ‘Let light shine out of darkness,’ has shone in our hearts to give the light of the knowledge of the glory of God in the face of Jesus Christ.” (2 Corinthians 4:6). God speaks, God shines, God reveals, and then we respond. Not the  other way around. God’s revelation of his glory is not dependent upon our worship of him. God’s revelation comes first. Our response comes second.

So don’t start a Sunday service with the response. Don’t expect distracted people to be ready to go on the first beat of the first song. Start by letting God shine in his people’s hearts. Again. And again next Sunday. And again the Sunday after that.

That’s what the people in the pews – as distracted, disjointed, and disgusted by dog puke – need from their worship leaders. Don’t expect them to be ready. Expect them to be needy. Let God shine, and then let them respond – not to a question from their worship leader – but to the glory of their Savior.

The Speech

micWhen I was first starting out as a worship leader, I was an eager 12-year-old who knew how to play some chords on a guitar, thought I had a good voice, and was ready for my youth pastor to let me on stage so I could do what I was made to do.

Not so fast, he said. We need to have a conversation.

First, I sat with my youth pastor in his office while he gave me “the speech“. I knew it was coming, since it was something of a rite-of-passage for the different musicians growing up in the church. I can still remember balancing my Peavey Patriot electric guitar on my scrawny lap while my youth pastor communicated the following expectations:

  1. Don’t show off
  2. Don’t promote yourself
  3. Above all else, try to stay humble

He was clearly and carefully telling me that if I ever wanted to stand on the stage, and if I wanted to be invited back the next week to stand on the stage, I needed to understand the basic and unchanging rules of the game: this was never to be about me.

And in the years to come, my youth pastor would hold me to those rules. When he caught a whiff of me showing off, or becoming impressed with myself, he would call me on it. And to this day, whenever I lead worship, somewhere in the back of my mind, “the speech” is on repeat, and I’m slightly nervous that if I veer into show-off mode, my youth pastor is going to call me on it.

Over the last 20 years, as the prevailing model of worship leading has slowly but noticeably morphed from something very average looking/sounding, to something almost flawlessly airbrushed and polished, it has been harder and harder for worship leaders to stay true to what used to be the generally accepted rules of the game, as were concisely presented to me by my youth pastor in “the speech”. The principles of restraining our egos, refusing to promote ourselves, and resisting the pull of pride.

Now, in many circles, there’s a pressure on worship leaders (especially young ones) to exude more of a stage presence/persona, to build and maintain a social media following, to find ways to share their look, their recordings, and their accomplishments, and somehow do it in a way that isn’t blatantly self-promoting, but is more subtle. I know that I’ve not been immune to feeling this pressure myself.

It’s a pressure that all worship leaders need to regularly resist. The Holy Spirit himself will give us “the speech” on a daily basis, if we let him, with all of the gentleness and love that we should expect. We need to let him call us out on stuff from time to time, just like my youth pastor used to. Not in a way that condemns, but in a way that points us (and thereby our congregations) ever consistently to Jesus.

Growing and Leading Vibrant Choirs: Announcing A Day-Long Intensive This Coming March

1This week I’ve been sharing some thoughts on whether it’s possible (and I think it is) and how it’s possible (in spite of the trends) for choirs to experience vibrant ministry and growth – and to partner with contemporary bands, not just be separated out into their own distinct worlds, as happens so often.

This has been a departure for this blog, which (since it started way back in July 2009) hasn’t dealt with the topic of choirs very often, simply because it wasn’t my background, it wasn’t my problem, and it wasn’t on my radar.

But now it’s something I’m thinking about on a daily basis, and something I’m excited about at my local church.

If this is something that gets you excited, and if you’d like to dig deeper, I wanted to let you know of a day-long intensive I’m going to be hosting in Atlanta coming up this March for about 20 worship leaders/choir directors, that still has room for about 10 more people.

We’ll arrive in Atlanta the afternoon/evening of Tuesday, March 21st, and get to know one another a bit at dinner that night, share what’s happening in our own churches, and enjoy fellowship.

On Wednesday, March 22nd we’re going to spend all day at Mt. Paran Church of God in Atlanta, learning from their people, throwing some big questions out, and really drilling down into what can make this actually work. I want this to be really practical stuff. Then that night we’ll observe their choir rehearsal. Then late that night we’ll have a final Q&A with their leadership. It will be a long, full, content-rich, meaningful time. We’ll look at the problems, the possibilities, the practicalities, and the pastoral essentials.

We’ll all fly/drive home on Thursday March 23rd.

So far, a group of about 10 people I’ve invited from Anglican and Presbyterian churches around the country are going to be there. But I wanted to leave room for more, in case anyone else is interested.

If you’re interested, you can apply for one of the openings by clicking on the “contact me” tab above. Send me a quick note and simply let me know why this interests you. I will follow up by the beginning of next week to let you know if you’ve been “accepted” (for lack of a better word) and how to register.

If you’re not interested, then thanks for reading this far, and I’d appreciate your prayers for this small gathering in late March.

A Vibrant Future (Together) for Choirs and Worship Bands – Pt. 2

1Yesterday I shared a short summary of some big questions I’ve been wrestling with over the last two and a half years – and many others have been wrestling with for much longer – when it comes to considering a vibrant future for choirs, and how it’s possible for those choirs to partner  in vibrant ministry with worship bands. This runs counter to the trends in the white protestant church, and is not something I ever thought I’d be called to be involved in, as someone who’s not classically trained, and for much of my life was the “contemporary music” guy at churches.

In late November, I traveled to Mount Paran Church of God in Atlanta, along with my colleague/friend/choir director Andrew Cote (actually Dr. Cote, but we don’t want that to get to his head). Andrew and I are working hard, praying a lot, and having a lot of fun putting our heads together with the great people at our church, about how we can continue to cultivate a worship ministry that is indeed a real community of worshippers and worship leaders, and is big enough for a choir, band, instrumentalists, classically trained musicians, self-taught musicians, young, old, and everyone in between. Mount Paran has been working at cultivating that kind of ministry for quite a long time now, and so it was incredibly encouraging to go there and see what’s possible.

I saw a choir that was a true microcosm of their community. Different races, ages, backgrounds, musical experiences, and level of giftedness, blended together into a vibrant worship leading engine of their church. Add a small (mostly volunteer) “orchestra” of strings, brass, and woodwinds. And then your typical “band” of drums, guitars, keys, loops, and vocalists. It’s a big church with a big budget and a big staff, but what struck me the most was something that money can’t buy, and even the most polished production can’t fake: an overwhelming atmosphere of partnership, of worship, of unity, and a humble pursuit of excellence. And their people SING. And the sweet presence of the Holy Spirit is powerfully tangible. It was something to celebrate.

I found myself amazed at how they organize things, how they memorize their music, how they color-code the lyric projection for the choir so they can follow their cues, how they do their planning, how they do auditions, how they’ve been faithful at planting and pruning this kind of ministry over decades, and much more. It was humbling to sit there and realize how much I have to learn. I realized that I was indeed a student, who didn’t know quite as much as I thought I knew. And it felt good.

And God was teaching me all these things – and moving me to tears – at (gasp!) a church that’s part of a different denomination, who does things in a totally different way from me, and yet who loves Jesus, cherishes His word, and longs to see Him exalted and central in their Sunday morning gatherings.

As is usual when anyone comes home from a conference or retreat, there is the inevitable slump when you come down from the mountain top experience. I certainly experienced that. But for my own sanity, I jotted down some observations, and so did Andrew. We had a long coffee to talk about what we thought God was saying to us. And this was a bit of what we wrote down together.

Caveat: I’m baring my soul here – unfiltered and mostly unedited – so you can get a sense of the real-world, down-to-earth stuff that I’m involved with these days. It’s exciting! And exhausting. The list below might not make much sense or be relevant to you, but this blog has always been intended to help worship leaders lead better, so I share these honest thoughts in the hopes that it helps someone, somewhere, in some way.

Reflections since Mount Paran visit

  1. It was like a trip to the future. I want that kind of community, commitment, vibrancy, diversity, youthfulness, vigor, worshipfulness, agility, and maturity in our worship ministry.
  2. I came back inspired, but personally (and honestly… because I’m a sinner…) deflated. I want that NOW. I want the result without having to do all the work 🙂
  3. I needed to be reminded that nothing grows without first being planted, tended, watered, pruned, and constantly maintained/nurtured.
  4. Mount Paran isn’t perfect (!), but it has the kind of “fruit” I’d like to strive for. They’ve worked long and hard for that fruit. It didn’t look like that even 15 years ago.
  5. If we plant, tend, water, prune, and maintain/nurture the worship ministry here, then by God’s grace we will continue to see growth, albeit something unique to Truro, but something organically healthy and life-giving
  6. We’re not starting from scratch.
  7. Our choir loves to sing, is committed, wants to sing lots of different genres, and our church has a rich history of vibrant worship. Hard to find another place quite like it in the Protestant/Anglican/Liturgical world.
  8. So there’s a lot of good there.
  9. Let’s continue pruning.
  10. What can we do now?
  11. In general: A continued focus on consistency, prayer, and loving our people.

So we’re aiming to double the choir to 80 voices. Big recruitment efforts.

Make rehearsals great again. I like the weekly newsletter idea.

Work on anthems at least four weeks out to assist in memorization

January – June: 6 solid months of continued consistency

Install section leaders/choir ministry team

Install confidence monitors on stage to assist with getting off the page

Mixing in all the previous anthems from Fall ‘16

Choosing solid anthems (all 10s!)

Aim to memorize 1 or 2 pieces

Focus on the congregational stuff. Especially choruses in parts, and learning new songs a few weeks out

Possibly a Friday night/Saturday workshop

Jamie and Andrew visit Mt. Paran again, and possibly bring a few key leaders along for a mini-retreat

Summer 2017: Another huge recruitment effort.

Have a great choir retreat

Maybe bring Mark Blankenship (from Mt Paran) in for a weekend?

Continue to prune, be consistent, pray, and push hard.

Tomorrow I’ll share some details on a small day-long intensive I’m going to be hosting at Mount Paran in March on the subject of cultivating vibrant choirs, and partnering with worship bands, and how you can explore being a part of it, if anything I’m saying over these last two posts resonates with you.

A Vibrant Future (Together) for Choirs and Worship Bands – Pt. 1

As a worship leader in Anglican churches for over 20 years now, I’ve witnessed first hand the all-too-common polarization of worship ministries, with worship teams on one side and choirs on the other. And I’ve witnessed the slow and steady dwindling of choirs, as evidenced in this study by Duke University last year (Pay particular attention to pages 9 – 10.)

Over the last two and a half years, since I began as the Director of Worship and Arts at Truro Anglican Church, I have been forced to grapple with this problem, on a small scale in my local church. As a non-classically trained musician who doesn’t direct choirs, tasked with directing a music program with a long history of a vibrant choir at the center, but whose choir was experiencing the trend occurring throughout protestantism, I was suddenly face-to-face with the questions: Can our choir go against the trend? Can our choir and worship bands work together? Can our choir grow? Can our choir attract new people? Can the culture in our rehearsals change? Will there even be a choir at my church in 15 years?

I’m more and more convinced that the answers to those questions can be a resounding “yes!”

But how?

The answer to that question is not so easy. But within the body of Christ, and within the protestant Church itself, there are churches with vibrant, multi-ethnic, cross-generational, musically-flexible choirs, which are a worship leading force in their services, and attract members from a wide range of musical backgrounds, many of whom may have never read music even once in their lives.

And many – if not all – of the churches that actually have growing and vibrant choirs, are outside of the fairly narrow stream of white/reformed and/or evangelical denominations.

One such church is Mount Paran Church of God in Atlanta. Having watched their services online for years, I can say that they are living proof of the kind of wonderful and flourishing ministry that’s not just possible with a choir, but also possible with respect to partnership between generations. Their choir is a thriving cross-section of their congregation and community, and there is a beautiful community between the choir and band which is increasingly hard to find. Their worship director, Mark Blankenship, has served that church for 30+ years, and the fruit of his ministry is something that can (and should!) encourage all of us who are wondering if choirs have a future, and if they do, whether they can co-exist and co-operate with a worship “band”, or whether we’re stuck with separate services.

Here’s their choir/band/orchestra doing one of my new favorite songs, “How Excellent” (this is a special song – not intended to be sung by the congregation!):

My colleague/partner-in-crime/choir director Andrew Cote and I made a trip down to Atlanta a couple of months ago to visit Mount Paran, to observe one of their choir rehearsals, and to meet with their worship leadership. Tomorrow I’ll share some of my take-aways.

Worship Leader Resolutions 2017

1Happy 2017, worship leaders! It’s a new year, with new opportunities, new songs to sing, new services to plan, new albums to record, new skinny jeans to buy, new interns to make our lattes, and new Twitter followers desperate for our selfies.

May I suggest some worship leader resolutions to make 2017 even more epic than a live worship album recorded in a boat on a mountain by a lake inside of a campfire in the middle of the night in outer space? Here we go:

More banners!
Your church may not be able to afford expensive lighting, set design, backdrops, or the most basic element of life itself (i.e. fog machines), but I bet your church can afford some good old-fashioned banners. I’m talking about the banners with streamers, glitter, glued-on letters, and inspirational phrases. Let’s commit ourselves to flooding our sanctuaries with big, bold, beautiful banners, and we will usher in a new era of innovation.

And more tambourines!
As they say, “where there’s a banner, there’s a tambourine”. And “where there’s a tambourine, there’s a praise party”. Bring those tambourines out of the vault, unlock the safe, remove the trip wire, disable the electric shock security fence, call off the attack dogs, and hand those tambourines out as generously as the big dollop of hair gel that keeps your hipster hairstyle in place.

Literal octave jumps
If you’ve been reading my blog for any length of time, you’ll know that I think octave jumps are the single greatest thing in the whole world. Congregations love them, and they’ve been hugely instrumental in helping people sing. To further enhance the effectiveness of octave jumps (which are the moments in a song when you go from singing in a comfortable range to all of the sudden singing like an intern just poured a latte down your neck), it’s time we actually insist that our congregations jump – and I mean literally jump – when we do an octave jumps. I call these “literal octave jumps”. Because we’re literally jumping, while jumping octaves. Or, conversely, we can call them “octave jump jumps”. Or, if your name is Jack, they can be called “Jumping Jack’s Jumping Octave Jumps”.

Bring back the bass solo
Every song would be improved upon by the presence of an extended bass solo. Preferably introduced by the worship leader saying “hit it, Gus!” Even if your bass player isn’t named Gus, you should call him Gus, because it will make him a better bass player. And then surprise Gus at unrehearsed points in a song with a call for a solo, and let him solo so low that your soul goes “woah!”

Leather jackets as the new robes
I’ve noticed something recently, happening on a large scale in worship leading, which basically means that I saw it once or twice and therefore can overgeneralize it and make a sweeping statement, thanks to the power of blog. All the cool worship leaders are wearing black leather jackets. And gold necklaces. And leather pants. I have never worn leather pants, or a gold necklace, or a leather jacket. And now I know why my worship leading has always been so “khakis and blue blazer” if you know what I mean, and I hope you do, because I sure don’t. It’s time to go full-throttle on the biker look, and buy our entire worship team black leather jackets and leather pants. It’s the new robe, and it will make our selfies look FANTASTIC.

Catch phrases
Every year I suggest new catch phrases to take your worship leading to the next level. This year, it’s time to start working some of these in, on a regular (i.e. twice-per-song) basis:

1. “Let me hear you SCREEEEEAAAAAAAMMMMMM!”
2. “Mmm, mmm, mmm, you’re sounding delectable!”
3. “Sing it again, con fuego.”
4. “Here comes this next part.”
5. “Now just the Grandmas sing…”
6. “How ’bout them worship apples?”

Any one of these catch phrases, especially when accompanied by the playing of a tambourine and/or the waving of a banner, while wearing a leather jacket and doing jumping jack’s jumping octave jumps, following one of Gus’s bass solos, is a non-refundable ticket into the awesome-sauce factory for you and your congregation.

Zero-tolerance (and $20 bucks!) for worship team mistakes
I once heard a story about how the Godfather of Soul himself, James Brown (no relation, unfortunately) would handle ANY kind of mistake, wrong note, or missed cue from any member of his band. According to the story, James Brown would spin around, point at the perpetrator of the mistake, and say “$20 bucks!” And he was serious. This was how he demanded near-perfection from his musicians. I’m thinking about trying this with the musicians at my church, and I’m sure they’ll be totally in support of it and won’t mind at all. This is how you build good morale on a worship team, and gain your volunteers’ affection, while also earning money towards a new pair of skinny jeans.

One-song-Sundays
Ever since Delirious released their 29-minute-long single of “I Could Sing of Your Love Forever” in 1995, worship bands have been trying to out-do one another with song duration whenever possible. This past year, a worship team from Sacramento released an extended play version of “Good, Good Father” that literally lasts for three years. In this vein, I think it’s time we begin experimenting with single-song Sundays, where we only sing one song, but sing it for a really long time. Drag the first round of the song out for about 7 minutes, then insert a 3 minute musical pause (call it a Selah), then add layers of “woahs” for 5 minutes, then throw in 5 HUGE choruses, do a triple literal octave jump, then fake-end the song, but don’t really end it, because there’s another 4 minute musical build-up coming, before a reprised (but more epic) woah section, followed by 4 more choruses, and a final verse and a half. This will take about 30 minutes. You’re good to go! If you need to fill more time, add in a bass solo.

Pre-programmed congregation loops
Utilizing loops in worship music is all the rage these days. At your very fingertips, at the press of a button are pre-programmed loops of a drummer, or a cellist, or pianist, or multiple layers of synth pads (you can never have too many), or whatever instrument(s) you desire or can’t find in time for Sunday. One thing I haven’t seen or heard much of is pre-programming a congregation too. I say, why not? Uproarious applause, energetic clapping (preferably on beats 1 and 3), and the frenetic shaking of multiple fish-shaped tambourines, will all add to a feeling of raw, kale-fed, organic-ness in your church’s music.

Guitar endorsement deals
Last year, at the beginning of 2016, I did something incredibly difficult and painful: I sold my McPherson acoustic guitar. It was a beautiful instrument, played like a dream, and sounded better than any other acoustic guitar I had ever played BY FAR. A year later and I’m still in withdrawal. And so I think it’s time for worship leaders to begin accepting guitar endorsement deals. And selflessly, out of a desire to lead by example, I will gladly step forward and accept the first endorsement deal from McPherson Guitars. Their least-expensive guitar will suit me just fine, and I will gladly play any guitar they voluntarily send my way, anytime they choose, hopefully sometime this week.

Last but not least, I think we can all agree:

We need more worship albums, songs, etc.
There just isn’t enough new music out there. There aren’t enough new songs to choose from, and I think I can speak for most worship leaders when I say that one new album a day just isn’t enough. I need a new album, or an EP, or a single, or at the very least a modernized re-tuning of the entire book of Psalms in Hebrew, by breakfast at the latest, and then by lunch before I run out of songs to pick for the coming weekend’s services, and then something fresh by dinner so I can spend my evening curating the best of the best, before starting all over again in the morning before my intern brings me my latte, wrapped in a scarf, so I don’t injure my hands.

Here’s to 2017, worship leaders. You look great in that leather jacket!