Performing A Role Or Performing A Show? Looking At The Fruit

1Yes, we’re all performers. 

The stay-at-home Mom performs her duties as well as she can on as little sleep as she gets. The mechanic performs his duties with the tools and training he’s gained through the years.

And the worship leader performs his or her Sunday duties on a platform of some kind, with musicians and vocalists of some kind, with training and (hopefully) practice of some kind. So, yes, worship leaders and their teams are performers, in one sense of the word.

But the word “perform” can mean two things: First, do a job. Second, put on a show. It’s the second meaning of the word that worship leaders have to avoid. We have to perform a role (which has both musical and pastoral components) focusing a congregation on Christ, without performing a show, focusing a congregation on us. It’s a fine line. And it’s a crucial distinction to make.

DISTINCTION ONEOur role is to serve our congregation by performing our role of helping them see and savor (and sing to) Jesus Christ.

– This requires pastoral gifts and sensitivities (i.e. knowing, loving, and serving our people).

– It requires musical skill (i.e. choosing songs, directing musicians, running rehearsals, and leading music).

– It requires leadership gifts (i.e. working with volunteers, arranging a team, interacting with different kinds of people, and leading a congregation in singing).

– And finally, it requires a certain comfort level with being up front, being seen, and being heard, in order to ensure the congregation’s confidence in singing to Jesus.

– All of these pastoral, musical, leadership, and up-front gifts go into us performing our Sunday morning role as a worship leader, facilitating the corporate exaltation of Jesus Christ.

DISTINCTION TWOOur role is not to entertain our congregation by performing a show (that they are welcome to follow along to if they can, or just observe).

– This diminishes the pastoral component of our role, since entertaining a crowd allows us to be more removed from the people.

– This disproportionately elevates musical skill to being the primary ingredient in the mix, since the demand is not so much on facilitating congregational singing, but more on keeping them entertained.

– This de-emphasizes pastoral/musical leadership, and instead demands a certain degree of star-power necessary to carry a musical performance from week to week.

– And this exalts the up-front persona, or stage presence, as being less about facilitating congregational singing, and more about performing the songs well.

– This is not the description of a worship leader performing his role. It’s the description of someone performing a show.

CRUCIAL DISTINCTION:
(1) Performing the different aspects of our role with humility, excellence, and skill, for the sake of building up of a congregation into Christ and helping them sing TO Christ, is effective worship leading. The fruit is that people focus on Jesus.

(2) Performing a sequence of songs in front of a congregation in a way that leads them to focus on the performance and the performers, is effectively performancism. The fruit is that people focus on the performers.

Of course we can’t help if someone, or let’s say a whole congregation, just happens to want to focus on us, even though our heart is absolutely in the place of performing a worship leading role. Every worship leader experiences leading a group of people who just aren’t responsive, no matter how hard they try or how much they pray.

But we can help what kind of fruit we’re planting.

If you want to grow apples, plant an apple tree. And take care of that apple tree. It might not grow apples for a long time. But eventually, if you planted it right, it will grow the right kind, and right flavor, of fruit.

Same goes for worship leaders. If we want people to look at Jesus, then plant that fruit. If we want people to look at us, then plant that fruit. We decide what kind of fruit to plant.

But God will only water one kind of fruit. The other kind will shrivel up and die.

Father, Open Our Eyes

As we find ourselves yet again at the sacred days of Maundy Thursday, Good Friday, and Easter Sunday, I wanted to share a song that I wrote last year (which was included on our recent album) in the hopes that it helps you appreciate even more the great love of God the Father in sending his Son to the cross in our place.

Last April (2013) I was sitting in my office, live streaming The Gospel Coalition’s conference, which focused on “Jesus in the Gospel of Luke”. During the last plenary session, they had a man named Gary Millar give the final message on “Jesus Betrayed and Crucified”, using Luke 22:39-23:43 as the text. I had it on in the background but after just a few minutes I had to stop and devote my full attention to this remarkable message. I had never heard the story of Jesus’ crucifixion preached on with such clarity, tenderness, and conviction. Here it is in its entirety (and you should watch the whole thing sometime before Easter).

One of the things I was struck by was Gary’s beautiful, poetic delivery (his accent didn’t hurt either). He described Jesus as a “strong Lion for our defense” and a “humble lamb as our sacrifice”. He talked about how Jesus was in complete control the entire time, when everything else was falling apart. And he kept coming back to this refrain: “How can we take Him for granted?” I was deeply affected.

I asked Gary for his permission to borrow liberally from his sermon for my song, and he was very gracious.

Here is a lyric video of my song, inspired by Gary Millar’s message, entitled “Father, Open Our Eyes”.

The lyrics are:

Infinite grace and mercy, tenderness deep and wide
A strong lion for our defense, a humble lamb as our sacrifice
How can we take Him for granted? How can our hearts become hard?
Oh, that again we would run to our friend, embraced by the grace in His arms

Father, open our eyes, help us to savor Jesus Christ
Father, level our pride, show us the one who gives us life
Help us to love Your Son

Innocent, perfect beauty, met by our wicked sin
The King eternal becomes the judged, His enemies to be made His friends
How can we take Him for granted? How can our hearts become stone?
Oh, that today we would fall on our face, undone by the love He has shown

Come, Holy Spirit. Lead us to Jesus. Help us to worship

Jamie Brown. Copyright © 2013 Worthily Magnify Music. All rights reserved. Used by permission.

If you’d like to buy the mp3 on iTunes, click here.

Here’s a chord chart in F (recorded key).

Here’s the sheet music in F.

Here’s a chord chart in E.

And here’s the sheet music in E.

You can purchase the whole album here.

My good friend and gifted worship leader/composer/orchestrator Joshua Spacht has arranged this song for a string quartet, and if you’d like the score, contact me. I owe Joshua big time for transcribing this song into sheet music form for me!

I hope this song (and Gary’s teaching) are a blessing to you, and even your congregation, and that you would see afresh the glory of Jesus. How can we take him for granted?

Interview with Worship Links

1Worship Links is a great website with tons of good resources for worship leaders. A few weeks ago they asked me a few questions and today they’ve posted the answers here. Check it out.

(You’ll also get some chocolate chip cookie dunking advice in there as an added bonus.)

The Core and An Angle

1Each week, worship leaders are given a fresh opportunity to choose songs to put on people’s lips when they come together on Sunday. In a church with an informal liturgy, the slate is more blank than at a church with a more formal liturgy, but in either case, a worship leader who chooses the songs will look at anywhere from three to ten blank slots that he’s tasked to fill in. Where does he start?

Some weeks it all seems to come together. And some weeks it doesn’t. There’s a lot to think about when choosing songs, and a lot of different voices and influences swirling in our heads, all fighting for the position of greatest influence as we make our choices.

Keys. Tempos. Old. New. Fits with the sermon. Right theology. Gospel-centeredness. Accessible. Singable. Fresh. Not stale. Can we pull it off? Done too recently. Cool. Wordy. The list goes on.

I’ve found it helpful, when looking at a blank slate each week, of thinking about things in terms of the core and an angle. Thinking about choosing songs in this way helps me press the mute button on factors that, at the end of the day, should not impact my responsibility of choosing songs that serve the congregation, or the pause button on factors that need to wait until more things are decided.

Here’s what I mean:

The Core
The core of your service, and thus the core of your songs, every week, should be the proclamation again and again of the good news of the Gospel. The good news of what God has done for us in Jesus Christ shouldn’t just pop up in a song here or there, or once every couple of months when “In Christ Alone” appears in your set list, or by accident when you happen to put two songs back-to-back that focus on the finished work of Jesus. Every service, every Sunday, and every set list needs to be fundamentally, at its core, centered around the gospel.

An Angle
The angle of your service, and thus the angle of your songs, is different from week to week. This is determined mostly by what scriptures are being read, and what the theme of the message is. I look at the songs that respond to the message (i.e. that come right after it) as being the songs that are most “angled” in their selection (and heavily influenced by reading the sermon transcript, or asking the preacher if he has any recommendations or ideas). These songs are attached to the core (the gospel), but can point to it from a variety of angles. They help your congregation articulate different responses to the preaching of the word. They help highlight different facets of God’s character. They help articulate different (and biblical) expressions of praise, lament, prayer, or proclamation. They bring variety. They aren’t the main course but they complement the main course.

So when you look at a blank slate each week, start with the core. Make sure the main focus is the preaching of the gospel through song. Make sure it’s central, clear, and cohesive. And then think about ways to approach that core through a particular angle, influenced most heavily by the scriptures, but also taking into account other factors (whether there’s communion, baptisms, some sort of presentation, a national event of some significance, or a big day on the church calendar).

Start with substance. Start with getting a grasp of the narrative of your songs. Then you can consider other factors like keys, tempos, etc., to make sure it works musically and makes sense congregationally.

Not Guilty

intersectionIt was a normal day at my job at my church several years ago, and at the usual time I packed up my things to drive home. I got in my car parked along East Fairfax Street and proceeded to the stop sign at Lee Highway where, like I did 5 other days a week, I waited for traffic to clear before I turned left across traffic.

I got to the stop sign, which was set significantly set back from Lee Highway, where I stopped behind an SUV who was stopped in front of the stop sign. When traffic cleared, he turned left, and then I turned left. And that’s when I saw the flashing lights in my rear-view mirror.

I pulled over, curious as to what I had done wrong, and the police officer informed me that I had run the stop sign. I was shocked. I was sure I had stopped, and I told him so. He was not convinced, and proceeded to accuse me of lying to his face and misrepresenting the truth, and encouraged me to just admit I was guilty and pay the (substantial) fine.

So I sat there feeling guilty and accused and confused. Should I just pay the fine and admit my guilt? Or should I wait two months, with the accusations hanging over my head, and go to court to fight the charge? I chose the latter option.

So a couple of months later I went through the humbling ordeal of giving up an entire morning, sitting and waiting in court, surrendering my cell phone and keys (like a guilty person) at the door, and waiting for my chance to defend myself.

One by one, person after person approached the judge, pleaded their case, offered their defense, and were turned away with the pronouncement “guilty” declared over them. They turned and walked out, defeated, deflating the spectators hope of having any better luck.

Finally my name was called and I proceeded to the bench. My accuser (the police officer) went first, declaring my guilt for all the room to hear, describing my (alleged) offense, how I had insisted I hadn’t done anything wrong and how he was certain I had. He was convincing.

The judge turned to me and permitted me to speak.

“Your honor”, I said, “as you can see in this diagram”, (I had brought a diagram of the intersection in question), “the stop sign at East Fairfax Street and Lee Highway is significantly set back from Lee Highway. And as you can see from Google Street View”, (I had brought print outs from Google Street View), “there is substantial room in front of the stop sign before a car enters Lee Highway. Your honor, when I approached this stop sign, I obeyed the law and stopped. However, an SUV was stopped in front of the stop sign. When traffic cleared, the SUV made a left hand turn, and then so did I. I will remind you that I had indeed stopped at the sign. However, I didn’t stop after the stop sign”.

I proceeded to drive the point home: “Your honor, I am not aware of any law that demands that a car must stop after a stop sign if there is a car stopped after a stop sign. I believe the law states that you must stop at a stop sign not afterSo, if I am guilty of any crime, I would be guilty of not stopping a second time after having stopped at a stop sign”.

The room was silent. The judge looked at my accuser and asked if he had anything to add. “No, your honor” he said.

I asked if I could add one more thing. (I was going to ask if the police officer had been moving or stationary when he observed my alleged crime). “No, you may not, Mr. Brown!” the judge roared. “Case dismissed. Not guilty!

It took a few seconds for my brain to process what had just happened. Then I began to realize that the impossible had happened: I had been declared innocent. My shock gave way to deep relief and giddy joy. The silence in the court room turned to enthusiastic chatter as the onlookers were amazed at what had just transpired. It was possible to be found not guilty! Amazing! Their faces were hopeful and the mood in the room had changed as I turned and walked out a free man.

I was the king of the world for the rest of the day. I shared my innocence (and my brilliant legal prowess) with anyone who would listen. I was euphoric. The burden (and several hundred dollars and points on my license) had been removed. I felt free.

Is there any better pronouncement in the world than “not guilty“? Is there anything more freeing? In a world full of accusations and burdens and law, the sweet sound of grace, the relief of mercy, and the joy of pardon is unmatchable.

Our services should shout this good news of the gospel over people Sunday after Sunday after Sunday. In Christ you are not guilty, in Christ you’ve been lavished with unlimited grace, and in Christ you have been pardoned and declared innocent. This is the sweetest pronouncement our ears can ever hear.

If our worship services, if our worship leading, if our song selection, and if our music doesn’t point clearly and consistently to the final verdict of “not guilty” pronounced over us because of Jesus’ work on the cross in our place, then we should just close up shop. Not every song should say it the same way, not every service should emphasize it identically, and not every worship leader will communicate it like the other. But, for God’s sake, use your platform, use your microphones, use your fancy graphics, use your organ, use your choir anthems, use your bell choir, use your electric guitar solo to highlight, underscore, emphasize, proclaim, repeat, and declare the good news of the gospel: your accuser is a liar, you are not guilty, and you’re free to go.

Make it clear. Don’t make people have to search for it hidden in a vague reference or mumbo jumbo or small print. Let it be known clearly and powerfully and unmistakably what God has done for us in Jesus Christ.