O God Of Perfect Holiness (New / Free Song)

A few weeks ago I wrote a song called “O God of Perfect Holiness”, and wanted to share the free chord chart, lead sheet/choir parts, and video below.

The song was written for one of our services where I wanted something that focused us upward on God’s attributes of holiness, faithfulness, righteousness, gentleness, tenderness, and loveliness, in contrast to our sinfulness. It’s a simple four-verse modern hymn.

The lyrics are:

Verse 1:
O God of perfect holiness
Seated high above
What ocean-depths of faithfulness
And sacrificial love
That all of our iniquities
Were placed on Jesus’ head
So we, who once were enemies
Are now his heirs instead

Verse 2:
Oh God of perfect righteousness
True in all your ways
What kindness in your promises
What all sufficient grace
That you would send your Son
To live and die upon the cross
That through his victory he would give
That victory to us

Verse 3:
O God of perfect tenderness
Who welcomes sinners home
What Father-hearted gentleness
In Jesus you have shown
And we will spend eternity
With angels and the saints
Who day and night forever sing
His never-ceasing praise

Verse 4:
Oh God of perfect loveliness
Who made us from the dust
Who saved us from our wretchedness
In you we place our trust
And now to him who sits upon
The throne and to the Lamb
Be blessing, honor, glory, power
Forevermore, Amen!

Jamie Brown. © 2017 Worthily Magnify Music. Used by permission. All rights reserved.

Here’s a free chord chart, here’s the free lead sheet/choir parts (thanks to my colleague Andrew Cote for arranging this), and a video (sorry about the poor quality) is below.

So You Want To Write A Worship Song

1Yesterday I had the privilege of teaching a seminar at the National Worship Leader Conference held in Centerville, VA. The title given to my seminar was “You CAN Write a Worship Song”. Obviously, with my reputation as the writer of such well-known songs as “Be Thou My Vision”, “It is Well with My Soul”, and “How Great Thou Art”, I was the perfect person for this seminar.

Yeah, right.

I had to laugh when I got the email asking me to teach this seminar. It came on the very day I had been working on a song I was trying to write, and literally saying to myself (and my wife) “I can’t write a worship song”. God has a sense of humor.

I’ve written a few songs that have seemed to work well in a congregational setting. I’ve written far more songs that have never seen the light of day. So I share the following song writing advice as encouragement first and foremost to MYSELF, and then hopefully it can be helpful to you too.

The most important thing in a discussion about writing songs for worship is to agree on the fundamentals of worship leading. Why? Because songs are the tip of the worship spear. I suggest that the fundamentals of worship leading can be summed up with the “three Cs”: Christ centered, congregationally accessible, and consistent.

If our heart is for Christ to be exalted, for people to be singing along and magnifying the Lord together, and for our congregations to experience this kind of focus on a consistent basis (even from song to song, much less Sunday to Sunday), then that will impact not only our worship leading, but also our song writing. If the soil of our hearts is conditioned rightly, then the songs that sprout up will be fruitful.

The second most important thing in a discussion about writing songs for worship is to distinguish between the KIND of song we’re writing. I suggest there are three types: personal, presentational, and congregational. The first two types are not meant for the congregation to sing along. In the “personal” category, you can write whatever you want. It’s for your own personal devotional life. In the “presentational” category, you are writing songs to be sung FOR your people, almost like a message is preached over them. There’s nothing wrong with personal or presentational songs. But we go off track as worship leaders when we expect our congregations to sing along with them.

Writing congregational worship songs is tricky. It’s not as easy as it looks, there are a lot of competing pressures and temptations pulling on us, we struggle with cliches and overused chord progressions, and we always have the nagging desire for our desire to get picked up by Chris Tomlin. So how do we proceed with writing congregational worship songs?

Ten quick tips:

  1. Write for your people
  • Picture them in your mind.
  • Don’t write for an arena if you’re not in an arena, or for a big band if you don’t use a big band. Write for your people who stand in front of you
  1. Write for a specific purpose/season
  • Ask “What is our congregation’s SONG during this season?”. Or “where am I unable to find an existing song to serve this particular purpose?”.
  • The Psalms are always tied to an event… Are your songs?
  1. Write a lot
  • I once heard Keith and Kristyn say that they may write hundreds of songs per year. They might only harvest 5-10 usable ones out of that lot. And this is the Gettys we’re talking about! If we only try to write a song once every few months, it’s no wonder that perfect songs aren’t just flowing from our fingertips.
  • Exercise your muscles or they atrophy! Write more than you’re writing now and you’ll improve as a writer.
  1. Write with focus
  • What is this song about? It should be about one thing. Can the title of your song fit into any verse or bridge?
  • Stay focused.
  1. Write enjoyable melodies
  • Lyrics matter most. But melodies make those lyrics memorable! Oh the power of an enjoyable, memorable, melody. Can people remember the melody, or the main melodic hook, of your song after hearing it once, or at most, twice? If not, you have work to do.
  1. Regurgitate biblical truth
  • Scripture is the sword of the Spirit!
  • What are you listening to? What are you reading?
  • Experiencing writer’s block? The problem (I guarantee it) is a problem FIRST of diet.
  1. Remove filler
  • “Don’t bore us. Get to the chorus”
  • Get to the point.
  • I like to ask myself a strange question when I write: “What would I want to sing if I stood up in the middle of international arrivals at Dulles Airport?” I would need to say what I wanted to say pretty clearly. I would want to get the meat of who God is pretty quickly.
  1. Request and receive feedback
  • Record it. Send it out. Get feedback. Make changes.
  • Every good song writer in the world does this.
  • Bob Kauflin did this with me (and the filler point too) with my song “Come You Sinners”. My first draft had a chorus full of “oh oh ohs” and cliches. He said I could do better. He was write. I went back to the drawing board, which is when the Augustine quote came to mind, and a more interesting melody came out of nowhere. I’m glad he gave me his honest critique.
  1. Resist the urge to pursue fame
  • The odds of getting attacked by an elephant hiding in the trunk of your car are probably greater than you making it big with your worship song.
  • Wanting your worship songs to get famous will seriously impede your ability to write for YOUR PEOPLE.
  • We need more faithful, pastoral worship leaders, who SHUN the spotlight. The worship world has enough celebrities. Serve your people, and write for them.
  1. Repeat as needed
  • Don’t get discouraged
  • Even if no one else ever hears or sings your song, you should still write
  • Why? Because you’ve been raised from death to life.

Free Song: He Giveth More Grace

I’ve always loved the text to the old hymn “He Giveth More Grace” by Annie Johnson Flint, and the story behind it too. Annie endured incredible physical suffering throughout her life, and clung to God’s inexhaustible grace through it all. This hymn is a profound acknowledgement of the heaviness and burdens of this life – and a wonderful proclamation of the great power of God, and His generous grace in Jesus Christ that are available to us.

I wrote a new melody for this hymn a few years ago, and since then I’ve been amazed at how these lyrics have blessed people who have heard and/or sung it.

Below you’ll find a video of me singing the song, along with links to a free chord chart, and lead sheets as well. I hope this song is a blessing to you!

Chord chart
Lead sheet in C
Lead sheet in D
Lead sheet with first three verses in C, and modulation to D for verse four

Lyrics:

He giveth more grace as our burdens grow greater

He sendeth more strength as our labors increase
To added afflictions He addeth His mercy
To multiplied trials He multiplies His peace

When we have exhausted our store of endurance
When our strength has failed ere the day is half done
When we reach the end of our hoarded resources
Our Father’s full giving is only begun

Fear not that thy need shall exceed His provision
Our God ever yearns His resources to share
Lean hard on the arm everlasting, availing
The Father both thee and thy load will upbear

His love has no limits, His grace has no measure
His power no boundary known unto men
For out of His infinite riches in Jesus

He giveth, and giveth, and giveth again

Words: Annie Johnson Flint. Music: Jamie Brown.
© 2013 Worthily Magnify Music. All rights reserved. CCLI Song # 7055874.

Sing A New Song (But Not Too Many… And Not Too Many Of Yours)

1The Bible is clear: We should be singing new songs to the Lord (Psalm 96:1 as one example of many).

What is less clear: How often should we sing new songs at our churches? I took a stab at answering this question with some practical suggestions over three years ago.

What is even less clear: How often should we sing our (or someone in our church’s) original songs? In Monday’s post I said “in extreme moderation“. Some people understood what I meant by that. Others thought that by “extreme moderation” I meant “we should never sing original songs”. And some others thought that by “extreme moderation” I meant “we shouldn’t sing anything other than the Psalms”. It looks like my statement could use some clearing up.

Yes, the Bible is clear that we should sing new songs to the Lord. It’s less clear about how often we should sing original songs on a Sunday morning. So where can we look for guidance?

1 Corinthians 14 is one of the foremost places in scripture where we are given instructions about principles that should guide our worship gatherings. Paul deals with some tricky issues like tongues and prophecy, and in so doing, he lays out some guidelines that can help govern us as we think about using original songs.

1. Make sure the church is being built up (1 Cor  14:3-4, 12, 26)
2. Make sure what’s going on is clear to the people in the room (1 Cor 14:7-11, 33)
3. Engage both the spirit and the mind (1 Cor 14:15)
4. Try to engage outsiders (1 Cor 14:16)

So, when choosing songs for any worship gathering, some of the questions going through a worship leader’s head should be:

1. Will these songs build up my church? (i.e. build them up into Jesus)
2. Will these songs be clear/singable/accessible? 
3. Will these songs engage the minds and spirits of the people in the room?
4. Will outsiders find it too difficult to try to sing along with us?

These questions get us thinking pastorally about song selection. They guide us towards choosing songs that will serve our congregation. And they help us be objective about using our original songs. We can’t run away from these questions. We can’t run away from our responsibility to serve the people of God.

These questions point us towards balance and moderation.

Balance
– Using songs that have lasted for centuries (for a reason) and are known by Christians from all backgrounds and traditions, and even some non-Christians who may have heard them on random occasions
– Using songs from different sources, to ensure that we don’t only express things the same way, with the same wording, with the same kind of melodies and rhythms, but with a broadness and depth that using only one or two sources doesn’t get at.
– Using familiar songs that will build confidence and gain trust
– Using new songs that my church needs to learn so they can be built up even more

Moderation
– Using too many original songs might make it hard for outsiders (from other churches, visitors, non-Christians) to sing along until they’ve been around for a while
– Using too many original songs might make Sunday mornings hard work for the average singer who finds lesser-known songs to require more energy to learn
– It’s harder to think objectively about whether a song is (1) the right fit, (2) melodically and lyrically excellent, and (3) singable, when you’re the one who wrote it.
– If your church is a part of the broader Body of Christ, one principle way you can demonstrate that is by singing songs written by its different members.

To be clear:
1. The Bible clearly encourages the singing and writing of new songs (and so we should).
2. Paul’s encouragement to the New Testament church was to sing all sorts of different songs (Colossians 3:16, Ephesians 5:19) (and  so we should).
3. Paul advocates pursuing the Holy Spirit in our gatherings (and so we should).
4. Paul encourages the leaders of the gatherings to hold the building up of the body as the standard which governs what goes on during a gathering (and so we should).
5. Paul wants as many people engaged in what’s going on as possible (and so we should).

Therefore,

– Sing, sing, sing.
– Sing old songs, sing new songs, sing original songs.
– Sing songs that people can sing along to.
– Point to Jesus 

Oh sing to the LORD a new song;
sing to the LORD, all the earth!
Sing to the LORD, bless his name;
tell of his salvation from day to day.
(Psalm 96:1-2 ESV)

He Giveth More Grace: New Arrangement

1Several weeks ago, I saw that our September sermon series was going to focus on the generosity of God. As I was thinking what song of response would work one Sunday, the closing words of an old hymn came to my mind: “for out of his infinite riches in Jesus / He giveth, and giveth and giveth again”. I looked up the hymn, entitled “He Giveth More Grace” and was struck by the text:

He giveth more grace as our burdens grow greater
He sendeth more strength as our labors increase
To added afflictions He addeth His mercy
To multiplied trials He multiplies peace

When we have exhausted our store of endurance
When our strength has failed ere the day is half done
When we reach the end of our hoarded resources
Our Father’s full giving is only begun

Fear not that thy need shall exceed His provision
Our God ever yearns His resources to share
Lean hard on the arm everlasting, availing
The Father both thee and thy load will upbear

His love has no limits, His grace has no measure
His power no boundary known unto men
For out of His infinite riches in Jesus
He giveth, and giveth, and giveth again

This hymn was written by Annie Johnson Flint. She was orphaned by the age of 6, and became so crippled by arthritis that she couldn’t walk. Her arthritis prevented her from becoming a pianist like she had hoped, so she became a poet, and when she couldn’t open her hands to type, she would use her knuckles on the typewriter. An amazing story.

What I love about this hymn is the way it presents God’s generous grace. It can never be exhausted. It can never even begin to be exhausted. It is utterly and completely boundless. This is the kind of good news our congregations need to hear. This is like water in a barren desert.

I didn’t know the original tune for this hymn, so I took that as an opportunity to write a simple melody and arrangement. We sang it this past Sunday at my church and judging from all the questions and emails I got about it, it struck a nerve with people and was a blessing.

I’m sharing the rough demo with you, as well as a chord chart, since my guess is that if your congregation doesn’t know this hymn, they might be affected by the truth it proclaims just like mine was.

Demo: 

Chord chart

Give Me Feedback On A Song

1

I need your feedback and honest opinion on a song I’ve been working on.

It’s a song I’m writing for my congregation to sing this coming weekend as we look back on the last year for us (which has been a substantial one) and what’s coming ahead. I needed something that would be encouraging, point to Jesus, be a rallying cry, and be upbeat.

The line in the chorus “here we stand, we can do no other” comes from the great reformer, Martin Luther, who responded “here I stand, I can do no other” when pressed to recant his views. He refused.

In addition to being a song for my congregation, I wonder if this would work in any other context. This is why I need your help. Does the song work? Is it a keeper? Give me your honest critique. If it’s a keeper it will probably make its way onto my church’s live CD that we’re recording this coming weekend. Hence my plea for feedback.

Here’s the audio to a very rough demo (!) of the song. 

And here are the tentative lyrics:

Here We Stand (We Can Do No Other)

Verse 1
Oh church, lift up your eyes, up from the waves
And look on Jesus’ face
Oh church, you should not fear. He’s strong to save
So lean on Jesus’ strength

Oh church, God will not fail.
He never breaks His covenant
Oh church, He will prevail, through every age
So trust in Him

Chorus:
Here we stand, we can do no other
We could run forever but we’d never find another place to go
Here we stand, we are held together
By a great Redeemer
In his hand, here we stand, we can do no other

Verse 2
Oh church, the story ends when Jesus wins
Don’t doubt your destiny
Oh church, lift high the cross, the empty cross
It stands in victory

Oh church, you will not fail.
Your hope is in what God has done
Oh church, you will prevail
The battle has been surely won

Chorus

Bridge
No turning back, no turning back
No turning ‘round, no turning around

Words and music: Jamie Brown

Tell me what you really think!

Praise My Soul the King of Heaven

1Having grown up in the Episcopal/Anglican church, one of the hymns I grew up learning to sing and love was “Praise My Soul the King of Heaven”. The first time you hear it the melody is a bit tricky. But it’s good. And the lyrics are full of powerful descriptions of the kingship and worth-ship of Jesus. But I never had much success putting the hymn in a more contemporary format.

One night in 2009 I was watching the consecration of Bob Duncan as the first Archbishop of the Anglican Church in North America and during the incredibly long procession of clergy and bishops, the orchestra and choir led the congregation in a powerful arrangement of the hymn. It turns out that John Wasson, a worship leader/musician in Texas had written the arrangement just for that occasion.

You can watch the really long procession and hear John’s full arrangement on this rough YouTube video:

It wasn’t long until I was trying to rip off John’s arrangement to use this hymn at my church. I experimented (with varying levels of success), but the result was that I had found a way to bring this amazing hymn into a contemporary context. The other small change I made was to close the song by going back and singing the last line of first verse after singing the final verse. It ends better that way.

When my congregation received word that we’d have to vacate our property of over-275 years, and I started exploring the prospect of recording a live CD in our Sanctuary before we lost it, I knew we’d have to put this hymn on it and try to capture a bit of the arrangement John had written in 2009. But… it couldn’t be as incredibly long.

So I sat at my kitchen island one night, about 6 days before we’d start recording the CD, watching the video of the song from Bishop Duncan’s installation, hearing Carl Albrecht‘s drumming in my head (since I’ve been listening to his drumming since I was a kid and he had kindly agreed to play drums for this project), Russell Crain’s electric guitar genius (since I had come to admire his playing when my Father-in-law began pastoring a church that neighbors his), and Simon Dixon’s organ prowess (since he and I have the privilege of working together).

I wrote a rough arrangement of it and recorded this really (really) rough demo. Oh, I was recovering from the flu, I just remembered:

Like I said, it’s rough. So when we began rehearsals for the CD, Carl suggested we cut the intro by half. Great idea. Then Russell began experimenting with different things he could do on the intro. On the first night we recorded, here’s what the intro sounded like:

Russell thought he could do his part better, so on the second night, he changed some things.

The result of all of this thinking/arranging/demo-ing/rehearsing/tinkering is on my church’s live CD. Here’s the final full-song result in its mixed and mastered form.

If you’d like to download it for free: click here.

Here’s the chord chart we used for the recording. If you want a more simple chord chart (without the crazy chords on verse 4 that we put in to work with the choir descant, click here).

Here’s my church singing the more simplified version of this hymn in our last service ever in our building. The picture at the top of this post is from that night too.