This is fairly basic stuff – but learning to play the bass notes and knowing where they are will greatly improve your guitar playing. One nice thing about the key of D is that this is fairly easy.
Author: Jamie Brown
The Wonderful World of D – Pt. 2
Here are some more simple ways you can play with more color and variety in the key of D on acoustic guitar.
The Wonderful World of D – Pt. 1
Playing in the key of D doesn’t have to be boring.
Here is the first video (out of a few) that I hope will be helpful in showing you some different things you can do on the guitar to make this key a bit more exciting. You might already know these, but if not, they’ll come in handy.
Just Because You’re Tired of a Song…
For every one time you lead a song during a service, you probably sing it two other times during rehearsal.
Them: 1. You: 3.
For every one time you lead a song during a service, then lead it a few weeks later a second time, chances are that a quarter (or so) of your congregation isn’t there to sing it.
Them: 1 – 2. You: 6.
And then for every time you lead a song during a service, then lead it a few weeks later a second time, and everyone in your congregation happens to be there all at the same time, you’re probably also leading that same song in some other context.
Them: 2. You: 7.
It’s understandable that you get tired of certain songs when you’re leading worship. Between rehearsals, multiple services, and different events, odds are that there are particular songs you sing quite frequently.
But it’s important to keep in mind that just because you’re tired of a song, it doesn’t mean people in your congregation are tired of it too. You get tired of songs more quickly than your congregation does.
Sometimes it’s the opposite problem. You just love a certain song and could sing it every week, but people in your congregation are sick of it. It takes growing in discernment, wisdom, and observational sharpness to be able to spot this.
However, it’s more likely that you’re the one who’s going to be getting tired of a song first. Be encouraged that it takes much longer for the congregation to get sick of it than you think it might.
Here’s the main reason why this should be encouraging to you:
It isn’t necessary to introduce new songs as often as you’re tempted.
There’s probably a song you did a few months ago that people would be quite happy to sing again. Maybe you did a song just last week that people really seemed to enjoy. Then do it again this week. You know that song you think people don’t want to sing again? Maybe they wouldn’t mind so much.
So keep in mind that for every 7 times you sing a song – the average person in the congregation is singing it twice. Don’t be so quick to put that song on the bench.
Sermonizing Harmonizing
One of the ways worship leaders can better serve their congregation and their pastor is by choosing songs intentionally and purposefully to underline and respond to the preaching of God’s word. Not every song has to line up perfectly with the theme of the sermon, or be based on the same passage of Scripture, but when all of the songs during a service are completely unrelated to each other and the message, it can result in no single message standing out at the end of the day.
In most of the weekend services at my church, the sermon comes toward the end of the service. Because of this, I’m usually most concerned that the closing song, which comes directly after the sermon, is carefully chosen.
For years I tried to do this mostly by guessing. If the pastor thought to mention something to me about what kind of song would work, then that would be great. But most weeks I was just hoping I got it right. Sometimes I would. But other times I would find myself sitting in the service thinking, “I wish I knew he was going to say that!”
So in recent years I’ve become more diligent about hounding the preacher in the week leading up to his sermon, to get as much information as I can to help me pick songs, particularly the closing song, that both underline and help people respond to the message.
Here are some ways you might be able to do the same:
If he writes it out word-for-word, get a full transcript
Whenever John Yates, our senior pastor, is preaching on a weekend, I will get a word-for-word transcript of his sermon on the Thursday leading up to it. This is invaluable. I take time to read it, chew on it, and then prayerfully discern what songs would help people respond to this most effectively.
If he preaches from an outline, ask to see that outline
Some of the other pastors at my church don’t write their sermons out word-for-word. So I’ll just ask for their outline, or any notes they have. Sometimes I get a lot, and sometimes I get a little. Either way, it’s still something.
If he hasn’t yet finished either a transcript or outline, ask him what he’s thinking
I’ll oftentimes email whatever pastor is preaching and say something like: “I’d love to have any crumbs you can throw my way to help me pick a closing song that works well with your sermon. Any ideas? Specific songs? Themes? Anything?” I’ll almost always get a helpful response. I don’t need an awful lot of information – just some sort of indication of the direction of the sermon.
The key question to ask yourself and the preacher is: how would you envision people responding to this message through a song?
Don’t try to summarize the entire message in a song. You probably won’t be able to, and even if you are, it might be information overload. Just help them respond. It will look different every Sunday, but by asking yourself this question, you’re helping to avoid a mishmash of messages. Say that five times fast.