Keeping it Fresh

CopyI can always tell when I’m holding a document in my hand if it’s a copy of a copy or if it’s an original. A copy of a copy has a worn-out, old, slightly fuzzy look to it – kind of like the worksheets you get in middle school that you’re sure your teacher has used for the last 45 years. An original is crisp and up-to-date – like the first page you print after you’ve installed a brand new printer.

After three or four times, a copy of a copy starts to show its age. If quality is a concern, it’s worth taking the time to make up an original again. But if quality isn’t a concern, it’s certainly a whole lot easier just to use the same thing you’ve always been using.

I think the same principle applies to the songs we choose for a service. A copy of a copy will result in loss of quality, however subtle, every single time. Taking time to make each service’s song list “original” helps keep you and the services from getting stale.

A few practical ideas:

Don’t always use the same song in the same spot
It’s hard not to fall back on using the same song that worked last time. Stretch yourself and do something different.

Don’t always use the same kinds of songs written by the same kinds of authors
Try to choose songs that don’t all sound the same, aren’t in the same key, aren’t written by the same person, weren’t written in the same decade, and don’t say the same thing.

Take risks
When I introduced Tim Hughes’ “Happy Day” a few months ago, I knew that it would either really connect or really bomb. Thankfully, it really connected with people and it’s been a helpful song for people to celebrate that Jesus is alive. But even if it hadn’t connected with people, it would still have been a good idea for me to try it. Don’t be afraid to try new things.

Visit other churches/watch their services online
Make a point of visiting other churches from time to time, and watching other churches’ services online. You’ll get ideas from seeing things they do that really work – and learn from seeing things they do that don’t seem to work.

Prioritize personal times of bible study and singing
If you’re spiritually malnourished, you’re not in the best position to be feeding sheep by leading them in worship. But if you’re being fed by God’s Word and singing to him when no one else is watching, your planning, preparation, and leading will be fresh and heartfelt.

Video Clip – Physical Expressiveness Being Modeled

I came across this video a few years ago of the flautist Pedro Eustache playing an instrumental version of “When I Survey the Wondrous Cross” at a conference at The Church on the Way in California. He’s obviously a very talented musician (he switches between four different types of woodwind instruments in this video), but the thing that stands out the most to me is his example of physical expressiveness.

Towards the end of the video, around the 4:50 mark, as the song comes to a close, look at how Pedro models physical expressiveness – and the effect it has on the congregation.

You can’t understand a word coming out of his mouth – but you know what he’s saying. His body is sending a clear message: he is caught up in the glory of God.

May we send the same message with our bodies as we stand before our congregations this Sunday.

Physical Expressiveness in the Context of a Formal Church

worshipteam1At the recent worship conference hosted by Sovereign Grace Ministries, Bob Kauflin taught a seminar on the importance on physical expressiveness in corporate worship titled “Let the People Be Glad: Corporate Worship and Expressiveness”. It was a biblical, balanced, challenging, and important message. You can download the message here and I suggest that you do!

Recently on his blog Worship Matters, Bob posted on “The Passionate Preaching of John Piper” to provide an example of the kind of expressiveness worship leaders should seek to model. A reader left a comment on that post and said:

I attend a very non-expressive church with traditional/formal music where physical expression would seem out of place to a lot/most people. I’ve held back much of the physical praise my heart has desired to show out of fear and am just now realizing how much the fear of man has hindered my worship to God. The question I have to wrestle through now is how do I worship God with my whole being as I long to do, yet also be aware and sensitive to the body of Christ that I worship with? There is a balance of edification and focus on God and I’m seeking to find it in my specific context!”

Having been born and raised in the Episcopal/Anglican church, I know how this reader feels. I’d like to suggest how a person who attends a church where physical expression in worship is not the norm could respond.

First, humility.

In John Piper’s recent sermon, “Greatness, Humility, Servanthood”, he explains why humility is of the utmost importance to Christians:

Every good thing in the Christian life grows in the soil of humility. Without humility, every virtue and every grace withers. That’s why Calvin said humility is first, second, and third in the Christian faith. And he could have said fourth, fifth, sixth, and more. It is pervasively effective.”

It’s frighteningly easy for me to become proud when, as someone who is comfortable with physical expressiveness in corporate worship, I am in a room full of people who are not. Within a matter of seconds I can size them up to be spiritually dry, uninterested, hard-hearted, and stubborn. I immediately consider myself more “worshipful” than them, and allow arrogance to fester in my heart.

When presented with this scenario – being in a worship service with people who are not physically expressive – my first, second, and third priority needs to be humility. Only in that soil will a love for them grow. Once I love them, I won’t be afraid of them, and my desire will be to serve them.

Second, priority.

In 2 Samuel 6:5-23, When David danced in the streets as the Ark of the Covenant was brought back into Jerusalem, his wife not only “despised him in her heart” (verse 16), but she mocked him to his face saying “how the King of Israel honored himself today… as one of the vulgar fellows shamelessly uncovers himself!” (verse 20). David’s reply is astounding. “It was before the Lord, who chose me above your father and above all his house, to appoint me as prince over Israel, the people of the Lord – and I will make merry before the Lord. I will make myself more contemptible than this, and I will be abased in your eyes” (verse 22a).

There are, at least, two important things for me to learn from what David says to Michal.

My physical expressiveness should be “before the Lord”. People might look at me strangely. I may become known as “that person who always lifts his hands”. It doesn’t matter. It is “before the Lord”.

Am I willing to become “more contemptible than this”? This is a reputation-shattering statement – and that’s the point. My own glory is meaningless when I am caught up in the glory of God. May my own glory – as pitiful as it is – matter less and less and less – so that I might be free to even dance “with all [my] might” (verse 14b).

Third, sensitivity.

If I’m attending a Sovereign Grace worship conference, I can lift my hands, dance, shout, and clap, (maybe even do it all at the same time!) and most likely no one will notice. Physical expressiveness is the norm, so I’m probably more likely to stand out if I’m sitting down with my arms folded.

However, if I’m attending an 8:30am service at a traditional church and I start lifting my hands, dancing, shouting, and clapping during the opening him, I could not only disrupt the service, but I could distract those around me. Sensitivity is key, and sensitivity is a form of wisdom. Since “the Lord gives wisdom” (Proverbs 2:6), ask him to show you what to do.

Only you, with the help of the Holy Spirit, can discern at what point your physical expressiveness crosses the line between heartfelt, God-centered expressiveness and heartfelt, God-centered, carried away-ness.

I would suggest that, to start with, you would only go one step beyond where the congregation is. If there is zero physical expressiveness happening, start with your countenance. Then the next week, maybe lift a hand or two. Slowly, you’ll get more comfortable and bold with being expressive in that environment, the people around you will not be distracted by your eagerness and all-at-once approach, and you may be surprised that others start feeling more free to express themselves in similar ways because you have broken the ice.

Fourth, patience.

It’s highly unlikely that your church will change overnight from one in which physical expressiveness is not the norm to one in which it is. It’s probably even unlikely that it will change drastically in a year. I’ve been at my church for five years and we still have a long way to go. But, thanks be to God, we have grown in this area.

Paul says in 1 Corinthians 13:4 that “love is patient…” Love your congregation by being patient with them.

Finally, boldness.

When Sunday morning rolls around, the opening hymn starts, and no one around you is displaying even the slightest hint of physical expressiveness except for when they sneeze, lifting one hand or clapping on one measure will take a tremendous amount of courage. Be encouraged by 2 Timothy 1:7, that: “God gave us a spirit not of fear but of power and love and self-control”.

Those are three of the things you’ll need the most in that moment. The power to express yourself physically when no one else is, the love to look at those around you not with arrogance but with humility, and the self-control to know how to be sensitive.

Martyn Minns was my pastor for many years when I was in high school and college, and now he’s my bishop. I’ve always respected and admired his ability to model physical expressiveness in the context of a more formal church. He isn’t afraid to move his body, lift his hands, and bang on his tambourine. He faces his fair share of criticism for it – but God uses his example to change the climate in churches.

MartynExampleThis picture of him from the late 1980’s shows what I’m talking about. There he is, as the new pastor of a church in downtown New York City, front and center, with his hands lifted in worship. And there’s his bishop behind him, looking at him like he has three heads.

I love it.

Those of us who stand in the congregation or stand in leadership at a church where physical expressiveness is not the norm are there for a reason. Sunday by Sunday, God will use our humble example for his glory.

Projecting Excellence – Where to Put the Song Title

By now, I hope, you’re aware of the fact that I strongly believe worship leaders need to care about how the lyrics are projected. It’s one way to serve the congregation and ensure that as few distractions as possible occur during the service. All your hours of preparation and rehearsal won’t matter if the wrong song gets projected. You’ll be on your own.

I’d like to suggest that it even matters where you put the song title. This is a very small detail and I’m sure there are varying opinions on this subject – but here’s an example of a slide I think has the song title in the wrong place and why.

Creation Sings bad

Many churches do this on the first slide of the song. At the top of the slide, in big bold letters, the song title sits there and yells at you: “this is the title of the song we’re singing!” Here’s why I don’t think this is a good idea.

  • It makes the song title the most important thing and draws everyone’s focus away from the words they’re supposed to be singing.
  • It takes up valuable space on the slide.
  • It’s unnecessary.

The song title belongs in the “small print” on the slide. See the example below.

Creation Sings good
This is a better way to display the song title for a few reasons:

  • It’s not distractingly big or small. Yes, it’s small on the blog – but not projected on the screen (at least in our room). If people are interested in what the song title is, they can see it. If they don’t care, it’s not screaming at them.
  • It doesn’t take up so much space on the slide.
  • It doesn’t elevate the song title to such a high position of importance.

If your slides resemble the first example – with the song title front and center, underlined and bolded, loud and proud, I would suggest that it’s a distraction for people during your service. Make it smaller and put it lower and I would be surprised if anyone is disappointed.

CCLI has a great and easy tutorial on what information you’re required to project on your slides. Click here.

The song used in the slide is “Creation Sings the Father’s Song” by Stuart Townend and Keith and Kristyn Getty. You can find more info about the song in this post.

Handling Awkward Moments – The “Over-Compliment”

fanWe’ve all been there. After the service someone comes to tell you, with tears in their eyes, how you “sing with the voice of a thousand angels” (I’m exaggerating a bit with that one) or “took us right into the holy places” or “brought God’s presence down”.

These people are well-intentioned – wanting to encourage and thank you for helping them encounter God in corporate worship – but they’re off base in their understanding of what a worship leader can and cannot do.

No worship leader can take any one “into the holy places.” That’s Jesus’ job.

No worship leader can “bring God’s presence down”. While there are certainly times we’re more aware of his presence, and times God is at work in more noticeable ways, God is always “present” with us (“Where can I go from your Spirit? (Psalm 139:7)).

There are a few ways to handle situations when someone offers you what I call an “over-compliment”. You have to discern which way is best depending on the person, the setting, what they say, etc.

Just say “thank you”
If someone tells me they think I sing with the voice of a thousand angels, it’s probably not a good idea for me to correct the person and say “well actually, Ma’am, I sing a bit flat a lot of the time, and when I can’t hear myself I can kind of sound like a thousand meowing cats”. I know that the compliment is over-the-top, but it’s generally best to just say “thank you” and let it go.

Gently correct them without making it terribly obvious
If someone tells me that I “really led [them] right to God’s throne” and I just smile and say “thank you”, I will send a message to that person that I agree with them. I don’t. So I’d probably say something like “I’m so glad you were aware of God’s presence this morning” or “what a gift to be able to approach God’s throne because of Jesus”. I’m not giving the person a lecture or seeking to reprimand them. First, I don’t have the time after a service to give a lecture, and secondly, they don’t need a reprimand. Instead, I’m seeking to gently correct their thinking by responding with God’s truth. Over time, this person will (hopefully) think about the role of a worship leader more biblically.

Take a minute to address the over-compliment
A few weeks ago, a woman offered me the mother of all over-compliments. I felt as though her compliment was insinuating that I was responsible for whether or not the congregation could encounter God. It wouldn’t have been appropriate for me to say “thank you”, and I couldn’t afford to let her keep thinking this way by offering only a subtle correction. So instead I asked her one or two questions so that I understood what she was saying. Once I did, I tried to politely and gently point out where she was a bit off-base. Afterwards she thanked me for helping her understand better how “it all works”. It’s not always so easy, but it’s worth a try.

The best preparation for handling over-compliments happens long before the service starts and long before you stand in front of a congregation. By intentionally and prayerfully seeking to grow in humility, you’ll be well-equipped to be able to judge when a compliment crosses the line between well-intentioned encouragement and misplaced worship.