Tag: Leading

What They See is What You’ll Get

CongregationThey just stand there looking disinterested, disengaged, and unaffected by what they’re singing. Their bodies are stiff and their faces are stoic, betraying no emotion, no joy, and no life. Their eyes are glued to the lyrics in front of them as if they’re in a trance. The men don’t even sing. They all look uncomfortable. They look like they would rather be somewhere else. To call them “reserved” would be an understatement. They suck the energy out of the room.

And they call themselves the worship team!

It’s an interesting phenomenon for worship leaders to grab hold of: what they see is what you get.

Disinterested worship team = disinterested congregation.

Male instrumentalists not singing = men in the congregation not singing.

Zero expressiveness on the platform = zero expressiveness in the pews.

Worship leaders shouldn’t be surprised to look out and see a disinterested congregation if that’s what’s being modeled for them.

I am increasingly persuaded that this is the case: a congregation will not go beyond what they see modeled from up front.

A few months ago, I led worship for an evening session of the Anglican Church in North America’s inaugural assembly. To say that it was a challenging setting in which to lead would be an incredible understatement. We were in a crowded tent with low ceilings in the middle of summer in Texas. Five industrial-sized air conditioners lined the entire back wall going at full-blast (imagine the noise). The screens which were there to project the lyrics could hardly be seen. For many of the attendees this would be the first time they had ever heard a worship team or sung anything outside of a hymnal. The sight of drums on the platform could cause some to go into convulsions. The sight of an electric guitar could cause them to fall into a coma. During our sound-check people were plugging the ears and telling the sound engineers to “turn it down!” We had zero rehearsal. I had never played with half of the worship team before.

This was going to be interesting.

7:00pm rolled around and I welcomed the people – trying to read their faces and gauge whether or not they would even sing a single word once the songs started. We stood to sing and started off with Chris Tomlin’s “Holy is the Lord” – hoping that it would be a “new” song that most people would know.

The song began “We stand and lift our hands for the joy of the Lord is our strength.” Out of the corner of my eye I saw my electric guitarist and bass guitarist with their hands lifted in worship, singing to the Lord. Then I looked out at this group of Anglicans, who, five minutes earlier had been plugging their ears and looking a bit uncomfortable. I saw them, hundreds of them, with their hands lifted in worship, singing at the top of their lungs.

What they saw on the platform – I saw replicated in the congregation.

You can stand in the back of a room during a worship service and see this phenomenon displayed. Look at the worship team and then look at the congregation. They match!

A lot of instrumentalists and singers on worship teams don’t consider themselves “worship leaders”. They see that as the job of one person, and their job is to provide musical back-up to that person as he or she “leads worship”. That mindset leads to worship teams who just stand on a platform, with their faces buried in their music, offering no real leadership to the congregation. My goal is to cultivate members of the worship team who see their role as being a worship leader alongside me. Their musical responsibility is secondary to their primary responsibility of leading the congregation in encountering the greatness of God. When this priority is made clear, the dynamic on your worship team and in your services will change.

Look in the mirror the next time you lead worship. What do you see?

Handling Awkward Moments – When the Lyrics Operator Falls Asleep

SpaceBarWe’ve all been there.

You’re leading a song on Sunday morning when all of the sudden everyone stops singing. You look over at the screen and realize the lyric operator (or whatever you call the person who controls the projection software) has not advanced the slide. You start to sweat. You can feel yourself growing impatient. You look back at the person and they’re oblivious. You feel like screaming “PRESS THE SPACE BAR!” but decide (wisely) that’s not a good idea. Finally after what seems like eighteen minutes, the lyric operator wakes up and advances the slide and everyone in the room breathes a collective sigh of relief.

How do you handle this situation?

First, a few suggestions of what not to do.

Don’t allow yourself to get angry
I saw this happen once when I was visiting a church in the UK. When the slide didn’t advance, the worship leader stopped singing (thereby making everyone else stop even though they knew the song by heart), let out a huge sigh, looked back at the lyric operator and gave him the kind of glare that said “I want to kill you”. This is a bad idea for several reasons. First, it embarrasses the lyric operator. Second, it magnifies the distraction, as opposed to minimizing it. Third, it could result in the congregation getting angry and wanting to kill the lyrics operator too. You turn a late-advancing slide into a major crisis.

Don’t stop singing if you’re in the middle of a verse or chorus
Nothing screams “we are completely dependent on the screens” like stopping during a verse or chorus that’s already started. Just go ahead and finish whatever section of the song you’re in, hoping that most people will either know it by heart, or just patiently wait until the slide progresses again.

Don’t take it too seriously
If it happens all the time, you’ll need to talk with your lyric operator and ask them to be a bit more attentive. But if it happens once, just let it go. As someone who has operated the projection software from time to time, I know how easy it is to forget to advance the slide when you’re singing along, when a member of the congregation interrupts you, or when your mind wanders. Extend grace to the lyric operator and don’t take it too seriously.

Now, a few suggestions of what you can do.

Offer a subtle prompt to the lyric operator by talking to the congregation
Instead of saying “Sally, will you please advance the slide?” – try saying “let’s sing the next verse together”. If that doesn’t work, try saying “this next verse says ‘O for a thousand tongues to sing my great Redeemer’s praise…’” By prompting the congregation, you just might jolt the lyric operator back to life.

Offer line prompts to the congregation
With a gentle and calm voice, call out the line before it’s sung. If you sound relaxed and like this was planned all along, you’ll minimize how much of a distraction is caused by the late-appearing slide.

Make a small joke out of it
In my post “When is it OK to Use Humor”, I suggested that, on occasion, the worship leader can use humor to break tension. When a room full of people is staring at a screen, and staring, and staring some more, it might get a little tense. Instead of feeding into it by being tense yourself, you can break it by making a small joke.

I had to do this when I led worship for an event in Bedford, Texas, with a few hundred pastors and bishops in a big tent, singing the hymn “Jesus Shall Reign”. I didn’t have the words in front of me, and was relying completely on the screen, which wasn’t such a good thing when I couldn’t remember how the third verse started. Neither could anyone else. We all stood there for about 10 seconds just waiting. Finally I made a joke and said something like “what do you all say we try singing the next verse now?”

On the inside I was begging the person to “just press the space bar!” but, by God’s grace, I was able to relax, make a little joke out of it, break some of the tension, jolt the lyric operator to life, and help the congregation feel comfortable.

Go back and sing the verse or chorus again once the slide comes up
If we’ve gone through nearly an entire verse or chorus without the right slide (and the slide finally comes up at the very end), I’ll usually say “let’s sing that again”. In a way, it kind of redeems the fact that everyone stood there waiting for it the first time through.

Just wait for a few measures
The lyrics operator might get the hint if he or she realizes no one is singing. If we’ve ended a chorus and the next verse hasn’t come up yet, I might just play for another measure or two. Oftentimes that does the trick.

Connect with the lyrics operator before the service
This is something I could improve in. Take a few minutes before the service to connect with the person who will be in control of the lyric projection and let them know of any repeats you know about, any new songs you’re teaching, etc. This will help them be more alert and aware that you’re depending on them – and the congregation too.

Ultimately, if your lyric operator falls asleep during a song, you have a split-second decision to make: How big a deal am I going to allow this to become? If you want to make it a big deal, then stop the song, look angry, embarrass the volunteer, and distract everyone in the process. If you don’t want it to be a big deal, just relax, keep leading worship, offer some more prompts than usual, and don’t overreact.

Keeping it Fresh

CopyI can always tell when I’m holding a document in my hand if it’s a copy of a copy or if it’s an original. A copy of a copy has a worn-out, old, slightly fuzzy look to it – kind of like the worksheets you get in middle school that you’re sure your teacher has used for the last 45 years. An original is crisp and up-to-date – like the first page you print after you’ve installed a brand new printer.

After three or four times, a copy of a copy starts to show its age. If quality is a concern, it’s worth taking the time to make up an original again. But if quality isn’t a concern, it’s certainly a whole lot easier just to use the same thing you’ve always been using.

I think the same principle applies to the songs we choose for a service. A copy of a copy will result in loss of quality, however subtle, every single time. Taking time to make each service’s song list “original” helps keep you and the services from getting stale.

A few practical ideas:

Don’t always use the same song in the same spot
 It’s hard not to fall back on using the same song that worked last time. Stretch yourself and do something different.

Don’t always use the same kinds of songs written by the same kinds of authors
 Try to choose songs that don’t all sound the same, aren’t in the same key, aren’t written by the same person, weren’t written in the same decade, and don’t say the same thing.

Take risks
 When I introduced Tim Hughes’ “Happy Day” a few months ago, I knew that it would either really connect or really bomb. Thankfully, it really connected with people and it’s been a helpful song for people to celebrate that Jesus is alive. But even if it hadn’t connected with people, it would still have been a good idea for me to try it. Don’t be afraid to try new things.

Visit other churches/watch their services online
 Make a point of visiting other churches from time to time, and watching other churches’ services online. You’ll get ideas from seeing things they do that really work – and learn from seeing things they do that don’t seem to work.

Prioritize personal times of bible study and singing
If you’re spiritually malnourished, you’re not in the best position to be feeding sheep by leading them in worship. But if you’re being fed by God’s Word and singing to him when no one else is watching, your planning, preparation, and leading will be fresh and heartfelt.

Lessons Learned from This Weekend – Pt. I

mirrorFrom time to time, usually on Mondays, I think it might be helpful for me to post some reflections on the previous weekend’s services. Perhaps some ways I could have handled certain situations better, some specific ways God was at work through the music, or various other lessons learned (however major or minor). I’ll get it started this week with some situations that, looking back, I could have handled better.

Memorize the words
You would think that I would follow my own advice (“Put the Music Stand Away”) and spend some time during the week getting familiar with the songs so that I didn’t forget lyrics, fumble for the right chords, and come across as unprepared. I wish I had. This past Saturday night we used Andrew Peterson’s song “Invisible God” as a special song during the collection/offering time, and I mangled the first verse pretty bad. Oops. Lesson learned: I need to practice too.

Multi-tasking isn’t as easy as it seems
 On Saturday night, in addition to leading the music, I also opened the service, led the time of prayer, and gave the announcements. The pastor who normally does this was on vacation, so he asked me to step in since I would be at the service anyway. I have to confess that I didn’t prepare for these responsibilities as thoroughly as I should have. At 4:45pm (15 minutes before the service started), I was trying to figure out what to say to welcome people, how to lead the prayers, etc. A few transitions were awkward, especially getting from the announcements to the offering. Lesson learned: Don’t ever wing it.

There are good ways to get your sound engineer’s attention and there are bad ways…
 We had a crazy morning at my church with baptisms at both services, short transition times between them, and very little time for a sound check. In the midst of a noisy Sanctuary about 20 minutes before the service, I was having a difficult time getting the sound engineer’s attention, so I thought it made sense to yell “Andreeeeeeeewwwwwww!!!!!!”. There are about eighteen reasons why this is always a bad idea. Lesson learned: Never yell at your sound engineer. Sorry Andrew.

These are just a few of the lessons I (hopefully) am taking away from this past weekend. It’s good to look back and thank God for his guidance, his presence, and his grace – and pray that he’ll keep teaching me lessons each time I lead.

Do You “Worship” When You’re Not “Leading Worship”?

judgeLast week I enjoyed some great time off with my wife, visiting family in central and south Florida, and on Saturday night we went to a service at the church where my grandmother, aunt, uncle, and cousins are members.

It’s always refreshing for me to visit other churches – not having to pick the songs, not knowing what’s coming next, learning things, getting ideas, feeling what it’s like to be a visitor, etc.

It can also be a challenge for me to visit other churches – trying to not be critical, fighting pride, not comparing ways I think I could do a better job or ways I would do a worse job, etc.

I thought the worship leader and worship team did a great job at the service we attended. They were prepared, engaged, expressive, skillful, and tasteful. I had the joy of meeting the worship leader after the service and he was a kind and humble guy.

But going into the service, I had no idea what to expect. What if the worship team was unprepared, disengaged, made up of really weak musicians, and played really loud? What if the songs were poorly chosen? What if the worship leader had a lot of ticks? What if no one in my family sang along or was comfortable with being physically expressive?

As I drove to church with these questions on my mind, God reminded me that none of the questions mattered. Only one thing mattered: he is unceasingly and unconditionally worthy of worship – whether the band is good or the band is bad. Whether the songs are great or the songs are horrible. Whether the worship leader is experienced and skilled or inexperienced and riddled with ticks. He deserves my worship. God is not interested in picky worshipers who will only do so when all their preferences are catered to. Rather, these are the “…kind of worshippers the Father seeks. God is spirit and his worshippers must worship him in spirit and truth.” (John 4:23b, 24)

My guess is that all of us who have a role in leading corporate worship in our home churches could always grow in this area. It’s not a good sign if, when you’re not the one leading worship or visiting another church, you become Simon Cowell. “I would have done that differently.” “This is a dumb song.” “Why is that guy leading worship?” “I can’t hear the bass.” Fill in your own critical statement here.

It’s also not a good sign when you’re engaged in singing and worshipping God with passion and conviction when you’re up front – but then doing the exact opposite when you’re not.

God calls that pride – and he is clear on what pride will bring about. “When pride comes, then comes disgrace, but with the humble is wisdom.” (Proverbs 11:2) “Pride goes before destruction, and a haughty spirit before a fall.” (Proverbs 16:18) “‘Scoffer’ is the name of the arrogant, haughty man who acts with arrogant pride.” (Proverbs 21:24)

You and I will be fighting pride until the day we’re in heaven. Until then, it’s a good idea for us to pray for God to be making us humble, and making us worshipers who will worship him in Spirit and truth.

It was an incredibly freeing experience for me to turn off my critiquing, put aside my silly “what-if’s”, fix my eyes of the worthiness and glory of God, and sing to him from the congregation. Hopefully, by God’s grace, I’ll be a more humble and genuine worship leader because of it.